Most of my clients are custom builders, architects, interior designers, developers, and hospitality businesses throughout Florida, along with homeowners photographing their own residences. If your project involves architecture or interiors, I'd love to hear about it.

I am based in Jacksonville and photograph projects throughout Northeast Florida, including St. Johns County, Ponte Vedra, St. Augustine, Amelia Island, and the surrounding coastal communities. Travel within the region is included. I also photograph projects in Sarasota and Miami, and select projects elsewhere in Florida are welcome as well.

Ideally once construction is finished, furniture and styling are installed, and landscaping is in place. Finished details make finished images. If your timeline is tight, strategic planning can still produce strong results. The shoot itself is then scheduled around light, based on the building's orientation and the spaces we are prioritizing.

Most projects are a full-day shoot, timed to follow the light from morning through twilight. Each composition is carefully staged, lit, and often captured across multiple exposures, and a full day allows interiors, exteriors, aerials, and twilight images to each be photographed at their best.

A full-day shoot typically yields 15 to 20 final images, depending on scope and lighting. I deliver a curated set where every image is individually crafted, with hand-blended lighting, color correction, retouching, and perspective refinement.

Final images are delivered within two weeks of the shoot. If you're working against a hard deadline such as a launch or publication date, let me know during planning and we can discuss expedited delivery.

Yes. I'm an FAA Part 107 certified pilot with hundreds of hours of flight experience, and aerial imagery is included in full-day sessions. Some locations require advance airspace authorization, which I handle during pre-production.

Yes, and I encourage it. Your license covers press features, design award submissions, and your own website, social media, and printed materials. I'm glad to help prepare a submission-ready set. Licensing is tiered, so paid advertising and use by other businesses, such as vendors or product manufacturers, are quoted separately.

I monitor forecasts closely and adjust scheduling when needed. If conditions turn mid-shoot, we photograph interiors first and return to exteriors when the weather clears. If the day won't do your project justice, we reschedule.

Pre-production planning is included in every shoot, typically using plans, drawings, and reference photos to map sun direction, viewpoints, and the shot list. An in-person scout can be arranged for larger or more complex properties.

Yes, when the image calls for it. I blend natural light with off-camera lighting and multiple exposures, combined by hand in post-production, so the final image feels natural while holding detail and color that available light alone can't balance.

Yes, and it's often the smartest way to commission photography. If the builder, architect, interior designer, or other project partners all want images, the shoot can be shared: a 25% surcharge is added per additional party, everyone receives the same images and usage rights, and each party typically saves 30 to 50% versus commissioning a shoot alone. The primary client arranges the share and collects payment, so let me know before the shoot if other parties will participate.

Yes. We agree on priorities before every shoot. A designer or project representative is welcome on site to collaborate on styling and key views, or you can leave the shoot in my hands.

Most projects range from $1,900 to $3,800, depending on scope, image licensing, and the number of project partners sharing the cost.